this
is
Zionist Logic
this is
Zionist Logic
Zionism was once recognized by the United Nations as a form of racism. It is a supremacist ideology predicated on the creation of an ethnonationalist state for Jews and the forceful displacement of the indigenous population. It is the foundation of the Greater Israel project, a vision under which a Jewish state would occupy the area between the Nile and Euphrates rivers.
Norman Harman is a Scottish artist and early pioneer of POSTPAINTING — a practice that collides analogue painting with AI and digital systems to probe distortion, control, and aesthetic entropy in the 21st century.
Born in Edinburgh, Harman trained in Painting at Edinburgh College of Art (1997–2001), where he received the RSA Latimer Painting Prize. His work begins where signals break down: overpainted digital images are fractured, glitched, and rebuilt by hand — painterly reconstructions of corrupted data that hover between figuration and abstraction, reality and simulation.
Recent projects include Android Plaza and LOWEKCHO, an expansive ongoing series chronicling a fictional dystopia consumed by biotech, ecological collapse, and late-capitalist absurdity. Fusing AI-generated world-building with digital painting, the series is released as 1/1 NFTs on-chain.
His digital paintings have recently been exhibited in Berlin, London, and Paris, including Paris Photo 2025 with L'Avant Galerie Vossen.
Harman has also collaborated with Irvine Welsh on a cinematic short for Message From The Skies (Edinburgh), and is one half of The Last Confirmation, an ongoing crypto art duo with Robness. His work is collected across both traditional and blockchain-native contexts, placing him in the first wave of artists using Web3 to reinvent how art is made, distributed, and preserved.
Norman Harman is a Scottish artist and early pioneer of POSTPAINTING — a practice that collides analogue painting with AI and digital systems to probe distortion, control, and aesthetic entropy in the 21st century.
Born in Edinburgh, Harman trained in Painting at Edinburgh College of Art (1997–2001), where he received the RSA Latimer Painting Prize. His work begins where signals break down: overpainted digital images are fractured, glitched, and rebuilt by hand — painterly reconstructions of corrupted data that hover between figuration and abstraction, reality and simulation.
Recent projects include Android Plaza and LOWEKCHO, an expansive ongoing series chronicling a fictional dystopia consumed by biotech, ecological collapse, and late-capitalist absurdity. Fusing AI-generated world-building with digital painting, the series is released as 1/1 NFTs on-chain.
His digital paintings have recently been exhibited in Berlin, London, and Paris, including Paris Photo 2025 with L'Avant Galerie Vossen.
Harman has also collaborated with Irvine Welsh on a cinematic short for Message From The Skies (Edinburgh), and is one half of The Last Confirmation, an ongoing crypto art duo with Robness. His work is collected across both traditional and blockchain-native contexts, placing him in the first wave of artists using Web3 to reinvent how art is made, distributed, and preserved.
