this
is
A Land With A People
this is
A Land With A People
Once declared “a land without a people for a people without a land,” Palestine always had people. People with a rich history and culture, who lived in peace and harmony for centuries, always devoted to their land, planting seeds of love in its olive trees and orange groves.
A tribute to the Palestinian dance dabke. This piece honors their culture and shows a small part of this traditional dance.
lesCogumelos is a multidisciplinary artist working with mixed-media animated collages. Inspired by biodiversity, nomadism, and the quiet of solitude, her work explores the bridge between physical experiences and digital invention. By experimenting with different mediums, she captures the essence of impermanence, turning fragments of the everyday into portals where the line between reality and fantasy blurs. It’s an invitation to notice where the real world ends and a deeper, more magical nature begins.
This artwork depicts a glimpse of life in pre-1948 Palestine and, although the landscape is deliberately inaccurate in strictly geographical terms (as evidenced by the proximity of the el-Jazzar Mosque to the Hurva Synagogue and the Church, which does not faithfully portray reality), it encapsulates the multitude of faiths and ethnic groups that inhabited Palestine at that time and coexisted, for the most part, peacefully.
Digital artwork created on CSP in 2026.
Siapou is an Italian theoretical physicist and traditional/digital artist born in 1947. His research, spanning both art and science, has spanned more than 60 years. Alongside these two main fields, he has also cultivated a profound fascination for philosophy and theosophy.
No human being is born from nothing. Before language, before names, before borders, there is already something holding us: land, family, music, gestures, symbols, and the stories we inherit without asking.
For a child, culture is not a theory. It is the first map of the world, a way of feeling, receiving, belonging, and learning how to grow without becoming disconnected from what sustains them.
The basse is a music producer and visual artist from Argentina. He has been making music for over two decades and has been a touring artist for 15 years, sharing the stage with many of his musical influences. He became a visual artist 10 years ago, constantly questioning the bewildering chaos that surrounds us all and evolving in real time while exploring the depths of creative wonder. He has performed live at many crypto art events, where he played live music, sang, and projected his visuals synced to the music, including NFC Lisbon x3, NFT Paris, Barcelona x3, Hamburg, and Naples.
Damascus Gate has survived empires, administrations, borders, and generations of conflicting narratives. Rather than depicting the monument as lost or destroyed, this work approaches it as a witness suspended between temporal states.
Part of the structure remains fixed, while another appears displaced from its own chronology, creating a tension between permanence and motion. The gate no longer belongs exclusively to a single historical moment. Instead, it exists simultaneously as memory, monument, and living architecture.
Created for an exhibition reflecting on Palestine before 1948, the work does not attempt to reconstruct a vanished past. It considers how certain places continue to accumulate history without fully yielding to any one version of it.
The monument remains. Its temporal position does not.
LeChatN0ir is a multidisciplinary artist whose practice examines fracture, memory, displacement, and the instability of fixed narratives. Working across digital media and sculpture, her work explores structures suspended between states, personal and political, material and spectral, historical and contemporary.
Drawing from themes of migration, contested memory, urban archaeology, and psychological landscapes, LeChatN0ir constructs works that resist linear interpretation. Architectural forms, fragmented figures, and shifting temporalities frequently emerge as witnesses rather than subjects, carrying traces of both presence and absence.
Her practice is concerned with what remains unresolved: the spaces between histories, identities, temporalities, and realities. Rather than offering conclusions, her works create conditions for reflection, inviting viewers to navigate ambiguity, rupture, and transformation.
Miss AL Simpson is an award-winning OG cryptoartist and pioneer of AI Cinema, recognised for her role in shaping the evolution of crypto-native and machine-authored art. Her work has been featured by The Washington Post, CNBC and the Financial Times, and exhibited internationally across London, New York, Berlin, Paris, Tokyo and Vancouver.
In 2025, Simpson exhibited AI Cinema work with Sotheby’s New York. Described by Bonhams as “a leading protagonist in the digital avant-garde,” her practice spans analogue ink intervention, digital graffiti, cinematic moving image, blockchain and custom-trained AI systems. Her work explores authorship, surveillance, decentralisation, femininity and post-human identity.
Miss AL Simpson is an award-winning OG cryptoartist and pioneer of AI Cinema, recognised for her role in shaping the evolution of crypto-native and machine-authored art. Her work has been featured by The Washington Post, CNBC and the Financial Times, and exhibited internationally across London, New York, Berlin, Paris, Tokyo and Vancouver.
In 2025, Simpson exhibited AI Cinema work with Sotheby’s New York. Described by Bonhams as “a leading protagonist in the digital avant-garde,” her practice spans analogue ink intervention, digital graffiti, cinematic moving image, blockchain and custom-trained AI systems. Her work explores authorship, surveillance, decentralisation, femininity and post-human identity.
